Thursday, June 22, 2006

Who cares who was a Communist?

Reading about Arthur Miller's alleged Communist connections brings to mind some unfinished business for American historians: a fair account of American Communists. Even today, the image projected by the media is heavily tilted towards the FBI version of the tale, an absurd melding of fact, rumor, fiction, and extreme rightwing bias.

In fact, many American Communists were simply people driven by a deep concern for human justice. If, for example, you went into the south before the civil rights movement and found a white working on the issue, it would not be surprising to discover that the activist was a member of the Communist Party, about the only one that cared at the time. Even in the 1960s, it was not unusual to run into former Communists providing important leadership, using their years of activist experience.

Were these evil people? Far from it. They were among the decent people in politics. Many were in the arts strong, sensitive and deeply idealistic. Others were in the labor movement helping unionists become so successful that more than a few would end up voting Republican. You can't tell the story of American social democracy without the story of American communism.

Where the trouble began was not with domestic politics but with the foreign. Precisely because they were so idealistic, many had a hard time melding ideology with what was actually going on. Even today, there are echoes of this in left debate: a conflict between intellectually-based and reality-based discussions of politics - issues of faith versus those of fact.

Nowhere was this more striking than with American Communists who defended the Stalin regime. A handful engaged in espionage they justified by their beliefs, but most simply tolerated, excused, or explained away the Soviet beast. The fact that Adolph Hitler was there as a convenient negative comparison didn't hurt.

Lest one become too sanctimonious about this, however, it is useful to compare the naivete of American Communists with that of the American establishment which has supported an extraordinary line of dictators and other monsters and helped create more such as Saddam Hussein and Osama bin Ladin.

As one who, at the age of 23 because of his parents' not atypical associations in the Washington of the time, found himself a victim of the Communist hysteria foisted by the FBI and others, I have long understood how distorted the story has been.

But when I read Marx in college, I couldn't understand what all the fuss was about. In fact, having stuffed envelopes in a political campaign when I was only 11, I was never sure of what the purpose of political theory was. Both Communists and political science professors struck me as members of odd sects far removed from the reality of politics. I didn't hate or fear them; I just didn't want to join them.

But misguided as some of their views and stupid as some of their allegiances were, the Communists I have run into have been a far better bunch than, say, the cruel, selfish egos of the Republican right.

Besides it can get confusing. I remember covering a major local meeting once and sitting behind the one Republican present. I was amused by the fact that he had been regularly voting in the minority with, among others, a man I knew was still a Communist. At one point the Republican turned to me before a vote and said, "Now we'll see how the hard left handles this one." I replied, "I hate to tell you this but you've been voting with the Communists all evening."

It is now almost time that some historian develop the courage to tell the story of American communism, not as the FBI and media would have us believe, but as the complicated, fascinating, and inconsistent story that it really is.

SUSPECT

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PLAY IT AGAIN, SAM

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Your editor has been a musician for many decades. He started the first band his Quaker school ever had and played drums with bands up until 1980 when he switched to stride piano. He had his own band until the mid-1990s and has played with the New Sunshine Jazz Band, Hill City Jazz Band, Not So Modern Jazz Band and the Phoenix Jazz Band.

NOTES ON THE MUSIC

Here are a few tracks:

SAM SMITH'S DECOLAND BAND

'SHINE' 

JELLY ROLL

PHOENIX JAZZ BAND

APEX BLUES   Sam playing with the Phoenix Jazz Band at the Central Ohio Jazz festival in 1990. Joining the band is George James on sax. James, then 84, had been a member of the Louis Armstrong and Fats Waller orchestras and hadappeared on some 60 records. More notes on James

WISER MAN  Sam piano & vocal

OH MAMA  Sam piano & vocal